When the Syrian Conflict broke out in 2011, triggering a wave of refugees to Europe, Thomas Vinterberg felt a surge of empathy in direction of the hundreds of thousands of households compelled to flee their houses and search shelter in overseas lands. However when the Oscar-winning director of One other Spherical, The Hunt, and The Celebration noticed the response of many Europeans — usually hostile, typically violent — he started pondering: What would occur if a catastrophe hit nearer to residence and “we had been the refugees”?
Greater than a decade later, that “thought experiment” led to Households Like Ours. The miniseries, which premieres on the Venice Movie Competition earlier than heading to TIFF, imagines a close to future the place rising sea ranges power the federal government of Denmark to evacuate. All the nation. Turning its six million inhabitants into refugees, compelled to hunt shelter in whichever nations can have them.
The sequence encompasses a who’s who of Danish expertise in its ensemble forged, together with Nikolaj Lie Kaas, Thomas Bo Larsen, David Dencik, Paprika Steen and Magnus Millang. StudioCanal and Zentropa produced the six-part sequence, which is able to exit on Denmark’s TV2 in October. StudioCanal is promoting worldwide.
Talking to The Hollywood Reporter, Vinterberg defined why he averted “catastrophe movie cliches” to deal with the human drama of local weather change and mass migration, creating “a dystopia in sluggish movement” and the way a impolite French waiter impressed the present.
It is a dystopian story, a bit science fiction even, however it appears to be a really private one as effectively. The place did the preliminary concept for Households Like Ours come from?
This concept got here up at the very least six years again, which was pre-covid and pre-Ukraine warfare. It got here from seeing how we handled individuals from Syria coming to Copenhagen. And I wished to make a thought experiment testing human beings from Western society, pondering what would occur if we had been the refugees, if we must say goodbye to the whole lot we love? How a lot resilience might we muster? What number of coping methods can we give you? It’s like: Who do you set in your lifeboat if you happen to solely have 4 seats? It’s the psychological questions that hassle me most, these are the backbone of this sequence, which is why I didn’t wish to present any flooding and pure disaster scenes.
However the actual spark to jot down this present got here after I was in Paris for work. I’d been residing there for a 12 months, a 12 months and a half, and I felt tremendous unwelcome. I’d go to the identical cafe on daily basis they usually nonetheless handled me extremely impolite, like a vacationer. One Sunday, I simply wished to go residence to my household, I used to be lacking my daughters, and I turned occupied with what it could be like if we had been compelled to be separated, like in the movie Brooklyn, in regards to the enormous immigration from Europe to america [in the 1950s]. And serious about my daughters, I used to be impressed by their concern for the state of the planet and local weather change.
As you say, there are not any scenes of pure disaster right here. There’s no catastrophe porn. However did you do any analysis into the science of local weather change or into the opposite components of the story?
We did a variety of analysis, not into local weather change however analysis of a unique type. We did analysis into the state of Denmark. If this type of catastrophe occurred right here, what would our Overseas Ministry do? In fact, you’ll be able to’t do analysis in regards to the future as a result of it hasn’t occurred, however we spoke to lots of people, to attempt to think about, how would this nation, this little Shire that I come from, react? And we determined we’d react early, forward of the water flooding the nation. We might try to take care of all our residents as a substitute of spending some huge cash making an attempt to avoid wasting components of the nation, we’d attempt to rescue as many as attainable in the absolute best means. I additionally talked to individuals who learn about local weather change and we talked about dams and drainage techniques, the place the water would come from and the way the state would do away with it. But it surely’s nonetheless all guessing, even when its specialists guessing. They know one thing goes to occur, however precisely what, precisely what type it would take, even the specialists are nonetheless guessing.
It is a story about households, which supplies it a universality. However it’s also particularly Danish and I’m wondering if, politically, Denmark is an attention-grabbing nation to take a look at with this story of mass migration. As a result of Denmark was one of many first nations in Europe to actually start to crack down on migration and immigration, nearly setting the sample for the remainder of Europe.
First, I wish to say my sequence right here is primarily about human beings, with these singular individuals, who all react in another way. Like Rilke says: “there’s no unanimous means of reacting as a human being.” There are hundreds of thousands of how of reacting. I’m involved with the bravery of refugees and issues like that. However your query is especially painful to me, it actually places a finger in a wound. As a result of after I grew up in Denmark, we had a really completely different status. Once I obtained my first awards again with The Celebration, one was in Los Angeles to obtain a Jewish award for the assistance Denmark gave to Jewish refugees [in World War II]. Denmark sneaked individuals out [of the German-occupied country] to security in Sweden. That was our society. After which, in 2016, our authorities destroyed that story and have become a rustic that I wasn’t pleased with anymore. We created a regulation the place we might confiscate refugees’ jewellery on the border. I assumed that was so removed from humane, I couldn’t imagine it. I stated publicly I used to be embarrassed by my nation, I received right into a public combat with a Danish journalist due to this. It was a really painful time. There’s an echo of this in Households Like Ours. I feel our nation has moved on from that darkish interval and hopefully, our identification will recuperate sooner or later. However there’s undoubtedly an echo of that in my story, in making an attempt to reverse this example and say: “Okay, what if we are the refugees?” There’s a component of satisfaction to that as effectively.
Throughout Europe, there’s this concept of a fortress of Europe. The political forces in nearly each nation appear to wish to construct partitions to maintain individuals out. This concept of a unified, borderless Europe, which nonetheless in some methods exists, is now being very strictly outlined in line with who you might be and the place you come from.
But when we speak about fortresses, that is greater than only a native, a European or a Danish phenomenon. It’s extra common than that. Have a look at the fortress of America, the place they’re constructing a wall, not tearing any down. It’s the agenda world wide. That’s why I discover it attention-grabbing to reverse issues and put the Westerners within the refugee place.
As you stated, you averted cliched catastrophe pictures. What then was probably the most difficult factor for you in taking pictures this?
Nicely, it’s a problem now to place this sequence in a means that folks perceive that it’s a human drama. It may be a catastrophe sequence, however it’s a catastrophe in sluggish movement. And the present takes place in seven completely different nations that had been unknown to me. So we did a variety of analysis to make the whole lot believable. That was an enormous problem. We did a variety of take a look at screenings with audiences, they usually stored asking questions like: “Why are they transferring in another country when there’s no water within the streets?” that type of factor. So we needed to discover methods to tell the viewers that that is how it could be in a well-functioning, Western nation like Denmark. We might know forward of time that the water is coming and we wouldn’t anticipate the flooding to maneuver out. We don’t imagine that’s how it could work. We discovered that unrealistic. However having this settlement with the viewers via months and months of analysis to learn how to elucidate this was very tough.
Did the analysis lengthen to how completely different nations would react to a flood of Danish refugees?
Sure, however you’ll be able to by no means say precisely how a rustic reacts, as a result of the one normal factor you’ll be able to say about human beings is when there’s a disaster, while you really feel threatened, there’s a regression. You pull again, you discover your closest individuals, you begin defending your self. That creates aggression. You may see that Poland was very pleasant and beneficiant and welcoming to Ukrainian refugees. But when Poland was flooded by foreigners, as it’s in our future world, that will create a disaster and a regression and aggression. [But] there may be additionally a variety of generosity to be discovered on this sequence. The core of the sequence is a lady who sacrifices her personal life, her personal profession and the whole lot, to assist her mother. After which there may be Elias [played by Albert Rudbeck Lindhardt] who crosses a continent to be with a lady that deserted him.
Did you come out of creating this sequence kind of hopeful in regards to the future?
Nicely, it’s a bit just like the query why will we preserve flying? Why do I preserve flying and shopping for new garments and all that stuff that destroys our planet, understanding that it destroys our planet? However I suppose it’s as a result of it’s one of the best we are able to do. This [climate change] is one thing we are able to’t deal with, its simply too large a disaster. So we return to deal with our personal little self and world. I discover that basically attention-grabbing. And there’s a forgiven aspect in that, as a result of that is one of the best we are able to do. It’s not that we don’t care, however that is simply one of the best we are able to do.
Have you ever gone again to that cafe in France and thanked the impolite waiter for uplifting you?
I haven’t, and he would go, he’d in all probability simply say: ‘Who the fuck are you?’ and insult me. In French.
Take a look at the trailer for Households Like Ours under.