[This story contains spoilers for The Last of Us season two, episode seven.]
The Final of Us season two ended with a gunshot and a cryptic title card: “Seattle Day One.”
What does all of it imply? The Hollywood Reporter first spoke to co-creator Craig Mazin, and Mazin and co-creator Neil Druckmann additionally took questions from reporters throughout a finale press convention tackling a number of burning questions.
The primary query, in fact, is whether or not Ellie (Bella Ramsey) is lifeless from what appeared to be Abby (Kaitlyn Dever) taking pictures her (with a searing, “I allow you to reside — and also you wasted it!”).
When you don’t need to know the reply to that one, skip the remainder of this paragraph. Mazin firmly says we haven’t seen the final of Ellie. Additionally, the present has been extraordinarily devoted in its adaptation of its supply materials, the PlayStation video games The Final of Us and The Final of Us Half II. Within the sport, Ellie survives this encounter with Abby and has a significant position to play in the remainder of the story.
As for the ending displaying Abby being roused from sleeping and a “Seattle Day One” title card, this seemingly indicators one other shift within the present’s narrative focus. Whereas the creators declined to explicitly affirm this throughout interviews, simply because the present’s perspective shifted from Joel (Pedro Pascal) to Ellie, season three will seemingly shift once more to inform Abby’s story — assuming the present follows the tracks laid down by the sport. This isn’t only a intelligent narrative system, however a part of the theme of the present.
“I don’t suppose tv is meant to work like this,” Mazin says. “We’re clearly breaking fairly a couple of guidelines, and I really like that. And I like it as a result of that’s the level. This isn’t one thing we’re doing as a gimmick. The purpose of this story — and that is checked out from so many various angles in so many various methods — is that the whole idea of protagonist is flawed. Your complete idea of villain is flawed. Our approach of processing the world by means of heroes and villains is a mistake. It finally ends up creating these limitations between those that shouldn’t be there. It finally ends up giving ourselves justifications and conveniences for unhealthy conduct, and it finally ends up permitting us to evaluate others summarily for issues that we don’t fairly perceive the motivation behind it. We all know it is a difficult factor to maintain observe of emotionally. We perceive individuals are going to be provoked. However a part of this story is about analyzing why we’re so comfy with following one particular person’s viewpoint about all the things.”
“Abby is the hero of her story,” Mazin added later. “Wherever we go subsequent, we’ll at all times be centering on anyone, whether or not it’s Ellie and Dina, or Abby and Owen … [But] all the things is underneath the cloud or daylight of Joel — what Joel did to Abby and what Abby did to Joel.’”
The finale additionally noticed the demise of Jesse (Younger Mazino), who was shot by Abby. “It’s an attention-grabbing state of affairs as a result of Jesse dies partially due to Ellie, however Ellie doesn’t pull the set off — Abby does,” Mazin says. “And we perceive that Dina had this nice relationship with Joel and he or she has gone in pursuit of Abby out of a way of justice for that. So now the query is: Who does she blame [for Jesse’s death]? Jesse’s demise goes to vary issues for her.”
One other large second — and a really totally different one from the sport — was the traumatic demise of Abby’s pregnant good friend Mel (Ariela Barer).
“Within the sport, Ellie fights Owen (Spencer Lord), after which fights Mel, and it’s solely after Mel dies that her coat opens and Ellie realizes she’s pregnant,” Mazin says. “However for this, Ellie is just not actually able to killing Owen — you take a look at Bella and also you take a look at Spencer Lord, he’s 6’4″ and simply extremely imposing. A bodily wrestle wasn’t going to go properly, and he or she’s not there to kill them. She simply needs to kill Abby. I keep in mind saying to Neil that as fucked up as that second was within the sport, I believe it may be extra fucked up and to not be a tormentor.”
Continued Mazin: “To not be a tormentor, however to only mirror actuality, Mel is a health care provider and understands in that second as she’s dying that there’s a likelihood to save lots of her baby. That is ingrained in our theme — mother and father doing no matter they’ll to save lots of their baby. And poor Ellie on this circumstance is confronted by the horrible penalties of her pursuit and in addition a horrible panic. That is like my worst nightmare —anyone telling me learn how to save their baby, and I don’t perceive what they’re saying as a result of they’re operating out of oxygen and slipping away. Bella sits again understanding the totality of her failure right here, and what’s much more heartbreaking is her failure isn’t over but. She simply doesn’t notice it.”
We additionally requested Mazin if Ellie — given her crushing expertise with Mel — would have nonetheless killed Abby if Ellie had gotten the drop on her somewhat than the opposite approach round. “I’d say unquestionably,” Mazin says. “It wouldn’t even be about whether or not she had it in her, it will be about what she doesn’t have in her — which is any skill to restrain herself within the pursuit of that. I believe Ellie would’ve crouched down proper subsequent to Abby and given a really comparable speech to the one Abby gave to Joel.”
As for ending on a cliffhanger, Mazin says they did contemplate different methods to finish the season.
“We thought of all the things,” Mazin says. “Possibly we must always simply interlace the tales [of Ellie and Abby]? I simply keep in mind saying, ‘Isn’t [switching perspectives] a part of the genetics of how this story capabilities?’ It’s simply a part of the genetics. Now what it means is we’ve to take dangers as a tv present, and HBO is backing us taking dangers. However then once more, we simply did kill Pedro Pascal. Like [HBO] understands that this present goes to be a distinct present each season, which is a tough factor to do while you’re a success present. You retain asking individuals like, ‘I do know you like this, we’re taking it away and providing you with this now.’”
One other key query: Will Joel seem in season three? Mazin made it sound like a possible flashback aspect journey that includes Joel and Tommy (Gabriel Luna) isn’t off the desk. “Subsequent season we in all probability could have much more flexibility [to tell side stories],” Mazin says. “Possibly a aspect journey to do Joel and Tommy terrorizing the countryside, we’ll by no means know. I wouldn’t have guessed we’d have a brief story about Joel’s dad earlier than we wrote the season.” After which later he stated: “[Tommy’s] been in struggle, and we additionally know that for a while, he and Joel have been doing a little fairly unhealthy issues. So there’s the potential of seeing this different aspect of Tommy, and that’s now about him delivering on his understood promise to his brother.”
The duo additionally teased season three — to some extent, as they didn’t need to give something essential away.
“We’re telling you that subsequent season, one, there’s an epic nature to all the things that’s about to occur,” Druckmann stated. “However this different story goes to be actually essential coming backing to Joel and Ellie and all the things we’ve seen up to now.”
Provides Mazin: “All I can say is we haven’t seen the final of Kaitlyn Dever, and we haven’t seen the final of Bella Ramsey, and we haven’t seen the final of Isabela Merced, and we haven’t even seen the final of lots of people who’re at the moment lifeless within the story.”