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Sunday, October 20, 2024

BFI London Movie Pageant 2024 Award Winners Unveiled


The 68th version of the BFI London Movie Pageant (LFF) is wrapping up Sunday night time with Piece by Piece, the animated LEGO biopic of Pharrell Williams by Morgan Neville (Received’t You Be My Neighbor?20 Ft From Stardom) following the revealing of this yr’s varied competitors winners, led by Adam Elliot’s claymation function Memoir of a Snail.

Set in Australia within the Seventies, the film, which had already gained the animation-focused Annecy Movie Pageant, stars Succession‘s Sarah Snook as Grace Pudel, a shy lady born with a cleft palate who grows up together with her wild and sometimes pyromaniac twin brother Gilbert (Kodi Smit-McPhee) however finally turns into a lonely hoarder of decorative snails. Her solely good friend is a wild octogenarian named Pinky (Jacki Weaver). Eric Bana, Dominique Pinon, and Nick Cave present supporting voice work.

Memoir of a Snail was honored as the very best movie within the 11-title official competitors lineup of the LFF, with the jury lauding it as “a singular achievement in filmmaking,” including: “Emotionally resonant and continually stunning, Memoir tackles pertinent points reminiscent of bullying, loneliness and grief head-on, creating an important and common dialogue in a approach that solely animation can.”

A particular jury point out in the primary competitors went to the Zambian household drama On Turning into a Guinea Fowl by Rungano Nyoni, which had debuted at Cannes. 

Mom Vera, directed by Cécile Embleton and Alys Tomlinson, gained the LFF Grierson Award within the LFF documentary competitors. It’s a couple of younger Orthodox nun who should confront her previous as she faces her wishes and an unsure future.

The particular point out within the doc competitors went to Eloise King’s The Shadow Students, which shines a light-weight on the multi-billion-dollar international underworld of educational essay writing, “the place overqualified but underemployed younger Kenyans write essays for college kids throughout the globe.”

In the meantime, the Sutherland Award within the first function competitors went to Laura Carreira’s On Falling, the portrait of a younger Portuguese warehouse worker in Scotland. Tomás Pichardo Espaillat’s Olivia & The Clouds, which blurs the road between reminiscence and actuality whereas exploring a variety of animation types, earned a particular point out in the identical class.

And Vibrations From Gaza, director Rehab Nazzal’s documentary about Palestinian Deaf youngsters in Gaza, was awarded the very best brief movie honor. The particular point out went to the stop-motion animation Dragfox by Lisa Ott, a couple of youngster battling their id and a charismatic fox studying to embrace their variations.

Final yr, Ryusuke Hamaguchi’s Evil Does Not Exit gained the highest movie award in the primary competitors, Mike Gustafson’s Paradise Is Burning earned the Sutherland Award within the first function competitors, Bye Bye Tiberias by Lina Soualem gained the Grierson Award within the documentary competitors, and Simisolaoluwa Akande’s The Archive: Queer Nigerians gained the very best brief movie award.

The weekend had gotten off to a difficult begin for the LFF. Organizers pulled Undercover: Exposing the Far Proper, a documentary directed by Havana Marking (Ashley Madison: Intercourse, Lies & Cyber Assaults, The Kleptocrats) about far-right activists within the U.Okay., from the weekend program of the 68th BFI London Movie Pageant (LFF) on the final minute amid considerations over the security and wellbeing of workers, safety and viewers members.

The LFF Viewers Awards will likely be unveiled later in October, with audiences having the ability to vote for his or her favourite work, be it fiction, documentary, brief, or immersive work. Three awards, particularly for greatest narrative function, greatest documentary function and greatest brief movie, will likely be awarded.

The 68th version of the LFF screened greater than 250 titles, mixing such highlights from this yr’s fest circuit as Sean Baker’s Cannes-winning Anora, Jacques Audiard’s Emilia Pérez, Pablo Larraín’s Maria, Mike Leigh’s Laborious Truths, Marielle Heller’s Nightbitch, Ali Abbasi’s The Apprentice and Edward Berger’s Conclave, with round 40 world premieres. Its Expanded program this yr added video video games to immersive installations and experiences.

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