The largest “new” star of Trump 2.0 is perhaps an ’80s sitcom veteran.
Justine Bateman of “Household Ties” fame is again within the highlight on her personal gorgeous phrases. The actress/director, now 58, caught hearth on social media with a two-pronged method to post-election America.
She started posting skilled critiques of social media movies, usually involving meltdowns over Donald Trump’s electoral victory. The guidelines are consequential and well-intentioned, hardly a bruising takedown of an newbie’s try to go viral.
She makes use of the hashtag #SocialMediaVideoCritique and is getting loads of retweets alongside the way in which.
#SocialMediaVideoCritique
– This piece is of a style that’s an off-shoot of the #CryingVideo style. The #CryingOverWork style is often a principal character publicly crying over a piece problem or disappointment that’s already frequent to thousands and thousands of individuals.
– The style misses… https://t.co/upomZYyxMu— Justine Bateman (@JustineBateman) November 18, 2024
Bateman’s extra necessary postings contain what Elon Musk dubbed “the woke thoughts virus.” She doesn’t use that time period, nor does she deploy different incendiary phrases.
She’s simply giddy that the strain to assume a sure manner – or else – has light with the Harris/Walz marketing campaign’s demise. And it began with this viral put up which has generated almost 6 million views so far.
Decompressing from strolling on eggshells for the previous 4 years.
— Justine Bateman (@JustineBateman) November 8, 2024
She adopted that digital blast with a extra full-bodied evaluation of the place we go from right here.
Now, she’s sharing her journey with The Free Press, a outstanding information outlet shaped by journalist Bari Weiss. The interview shared when Bateman seen the tradition taking a constrictive flip.
Then got here 2020: the pandemic, George Floyd, the riots, the groupthink—“these folks necessitating that I believe like them, and policing what folks say, and what they tweet, and what they like on a social media put up.”
She hated the rise of the progressive mob. It was antithetical to all the pieces she believed in. “The one manner you get that sort of momentum behind destroying peoples’ lives is when you’ve a mob mentality,” Bateman stated. “I felt like the truth that Trump gained reduce the momentum of that mob mentality.”
Now, think about all of the Hollywood voices who’ve been silent lately on this topic. Tom Hanks. Mark Ruffalo. Jennifer Lawrence. George Clooney. Scarlett Johansson. Oprah Winfrey.
The checklist is limitless.
They noticed what Bateman noticed. They might have used their clout to strike a blow in opposition to speech suppression. They’d limitless alternatives to do exactly that. Awards present podiums. Social media pages. Late-night interviews.
They usually stayed silent.
Bateman’s voice rings even louder since any Hollywood comeback/revival may very well be crippled by her commonsense stances. And he or she apparently doesn’t care.
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Is Bateman conservative? Libertarian? An old-school liberal? She eschews labels, embracing frequent sense as an alternative.
“Everybody ought to have the ability to dwell their life the way in which they wish to, with out infringing on any person else’s means to freely dwell their life the way in which they need, and that’s the entire thing. You observe that inside a society, and also you’re golden— what I imply? You possibly can’t fail.”
Bateman is again on the cultural stage, however she actually by no means left. She’s been appearing intermittently through the years, together with a shift to directing with upcoming initiatives like “Really feel” and “Look.” She’s additionally purchasing a sitcom script that reads like “Household Ties” for the fashionable period.
Trace: It’s not woke.
“I really feel like comedy and satire are a kind of issues in society that sort of maintain issues in examine, and that should come again,” she stated. “My script could be a part of that.”
She’s additionally battling the rise of A.I. with CREDO 23. The group helps human-driven artwork on the expense of digitally created storytelling.
We differentiate ourselves by making very human, very uncooked, very actual movies/collection, that respect the method of filmmaking.