Simply in case filmmakers are listening, Miley Cyrus could also be down to write down unique music in your film.
The Grammy winner lately revealed to Folks how she pitched her songwriting abilities to director James Cameron, which later landed her track “Dream As One” within the credit of Avatar: Hearth and Ash, at the moment taking part in in theaters.
“I sort of throw it on the market as I at all times do,” she mentioned of assembly Cameron on the 2024 D23 Expo. “I already knew the reply to, ‘So what have you ever been as much as?’ I do know he’s been as much as Avatar for a really very long time.”
In order that’s when Cyrus talked about, “‘Simply lemme know for those who ever want any music.’” And their dialog occurred to be on the good time within the growth of the third Avatar installment.
“It simply sort of organically occurred,” she mentioned. “James truly calls us ‘Legends in regulation.’”
This wasn’t the primary time The Final Track star used this method to collaborate with filmmakers in Hollywood.
“I did the identical factor to [Last Showgirl star] Jamie Lee Curtis,” Cyrus shared of how her Golden Globe-nominated track “Stunning That Method” landed in Gia Coppola’s The Final Showgirl final 12 months. “That’s how I ended up doing Final Showgirl and now being part of Avatar.”
The “Flowers” singer added, “That’s why I went to the Oscars this 12 months. Everyone that got here up and launched themselves, I mentioned, ‘Properly, for those who want any music, I’m round.’”
And Cyrus isn’t simply eager about taking part in movies, but additionally in tv, as she additionally pitched herself to the creators of Child Reindeer. “I don’t know what I might write for Child Reindeer season two, however I threw that on the market,” she mentioned.
Cyrus mentioned her curiosity in writing songs for movie and TV, like “Dream As One,” is her approach of collaborating in “what actually sort of bites in a movie.”
“I actually really feel myself hooked up to songs,” she defined. “There’s sure songs that even when they have been written for the movie or only a track used within the movie, like ‘I Will All the time Love You,’ you instantly consider the film itself they usually turn into embedded.”