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Sunday, September 14, 2025

Sam Nivola in Bobby Farrelly’s Bland Street Comedy


In introducing his new comedy simply forward of its TIFF world premiere, director Bobby Farrelly famous that Dumb and Dumber, the 1994 launch that launched him and brother Peter to jaded audiences hankering for one thing edgier or grosser, or, sure, dumber, was additionally a highway film. However whereas that 1994 Jim Carrey-Jeff Daniels hit firmly established the Farrelly Brothers model, the newest solo effort is fairly benign stuff by comparability.

In Driver’s Ed, an earnest however naive highschool senior (Sam Nivola), fearful that his faculty freshman girlfriend could have damaged up with him, commandeers his driving teacher’s canary-yellow KIA and, joined by three classmates, embarks on a three-hour tour to Chapel Hill, North Carolina, to make sure his fears are unfounded. These anticipating extra of a Farrelly-style joyride should settle for an off-the-cuff Sunday drive that cruises alongside pleasantly however with out inspiration, following safely inside the established boundaries of Thomas Moffett’s formulaic script. Granted there’s nothing inherently fallacious with that method and, fueled by a charismatic younger forged, the car reaches its meant vacation spot with few fallacious activates the best way.

Driver’s Ed

The Backside Line

Sticks safely to the sluggish lane.

Venue: Toronto Worldwide Movie Competition (Gala Displays)
Solid: Sam Nivola, Sophie Telegadis, Mohana Krishnan, Aidan Laprete, Molly Shannon, Kumail Nanjiani
Director: Bobby Farrelly
Screenwriter: Thomas Moffett

1 hour 42 minutes

Handed its gala premiere on the tail finish of TIFF, the image has but to safe a U.S. distributor. Prime Video has it for Canada.

Nivola, who not too long ago made an impression as Jason Issacs’ and Parker Posey’s delicate youngest child in the third season of White Lotus, is nicely forged as lovelorn Jeremy, a Wes Anderson-obsessed budding filmmaker who fails to see what everybody round him is aware of all to nicely — that his girlfriend, Samantha (Lilah Pate), has moved on.

Nonetheless unconvinced, he makes the choice to listen to it from the supply whereas in the midst of a driving lesson being given by Kumail Nanjiani’s Mr. Rivers, a card-carrying goofball of a substitute teacher with each of his arms in a forged. Opting to accompany Jeremy on his fact-finding mission are cynical Evie (Sophie Telegadis), overachieving valedictorian Apurna (Mohana Krishnan) and, most notably, the highschool’s completely stoned resident drug vendor Yoshi (Aidan Laprete, handily stealing each scene along with his pitch-perfect deadpan line-readings).

In the meantime, harried Principal Fisher (the all the time dependable Molly Shannon) is doggedly decided to trace down the motley crew, snarling “I’m not going to let three dipshits and the valedictorian f-ck me out of tenure!”

Except for encountering just a few inevitable bumps within the highway, together with an empty fuel gauge and virtually operating over a three-legged cat whom they title Tripod, the journey capabilities primarily as a journey of self-discovery. The compact KIA capabilities as a rolling confessional by which the younger passengers share their deepest fears, darkest secrets and techniques and the conclusion that they’re all on the identical nervousness and melancholy meds. All of it culminates at a chronic frat get together that permits the characters to pair off predictably, arriving on the form of conclusion that looks like peak John Hughes.

Permitting all the pieces to unfold at an unhurried tempo, underscored by a mild acoustic John Frizzell rating, Farrelly hasn’t misplaced the knack he shared along with his brother for mining promising younger expertise and giving them a platform to shine. Following within the career-boosting footsteps of the likes of Jim Carrey, Ben Stiller, Cameron Diaz and Anthony Anderson, Laprete makes an enduring, tragicomic impression right here, which could possibly be a jumping-off level for his movie and tv future, supplied he’s capable of sidestep inevitable typecasting.

Perhaps it was an excessive amount of to have anticipated one thing brisker than the completely 80s feel-good vibe that Drivers’ Ed is content material to ship, however contemplating the supply, the comedy can’t assist however really feel unmotivated. It’s what the children right now would name mid.

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