Is there anybody within the Okay-Pop eco-system has perfected the artwork of reinvention fairly like Chung Ha?
The 29-year-old solo artist is nothing in need of a present stopper, a indisputable fact that turned immediately clear simply over 9 years in the past when Chung Ha, then a contestant on Korea’s wildly standard Produce 101 music competitors collection, had judges and fellow contestants in shock when she danced throughout her audition. She would then go on to debut within the present’s non permanent group, I.O.I.
Within the years since, Chung Ha — who was born in Seoul and raised in Texas earlier than heading again to Korea to pursue music — has made a reputation for herself as a dynamic solo artist, discovering home success by way of singles like “Rollercoaster,” “Snapping” and “Gotta Go.”
The “Glowing” singer, in an unsurprising transfer, parted methods along with her former administration in 2023 earlier than signing with Jay Park’s Extra Imaginative and prescient later that 12 months. She got here again along with her first single since becoming a member of the company — “Eenie Meenie,” that includes Hongjoong of ATEEZ — final 12 months.
Chung Ha’s newest EP, Alivio, her first in practically three years, is all about letting go of the previous and transferring ahead. It’s a sentiment captured within the album’s lead single, “Stress,” which inspires listeners to like themselves and take it straightforward. The singer spoke to The Hollywood Reporter about placing out new music, the choice to launch an EP as an alternative of a full-length album and dealing along with her good good friend and fellow Okay-Pop legend Sunmi.
That is your first EP in virtually three years. You’ve had loads of modifications in that point. How are you feeling in regards to the new album? Are you excited? Are you nervous?
Two and a half years. Man. Time flies. A little bit little bit of every part you simply talked about. I’m nervous. I’m excited. I really feel a little bit pressured, in fact, a little bit wired, however on the identical time I’m able to let issues go. Let this go. Lastly, after, I don’t know, two, three years. I didn’t even know that it was that lengthy. My followers have been like, “So this needs to be a full-length album.” I’m like, “Why? I simply had so many albums out.” I’m like, no, I’m not prepared for a full-length album. After all, I do love doing full-length albums, however I don’t know if I might have the time. I used to be internet hosting a day by day radio present final 12 months, so I didn’t actually get my very own musical artistic time. I used to be like, I don’t know if that could possibly be attainable, however I’ll strive. We right here in Korea, name it a mini album. I’m actually comfortable to launch a full mini album. It’s been like 5 to 6 years since my fourth mini album got here out. Flourishing, the title observe was “Snapping.” That’s been some time.
It sounds such as you’ve been sitting with this challenge for some time. Have there been any moments that stood out as your favourite throughout the recording course of?
I didn’t maintain this album for that lengthy, I can say, as a result of we began strategizing the album after “Eenie Meenie” got here alongside — so round summer time. Then we have been busy doing [Aug 2024 single] “Algorithm,” after which once more, we have been busy doing collaborations. I used to be doing occasions, I used to be doing a radio present. We have been type of gradual with the album as a result of I didn’t wish to rush it out. I advised my staff that I needed to be extra adventurous, and I needed to check out new issues after “Eenie Meenie.” [That song] was fairly new for me, however I had a lot enjoyable with it. I used to be like, “OK, I needs to be extra adventurous. What do I wish to do?” Then my A&R gave me piles of songs to find. I didn’t know what I needed to sketch, so it was only a plain, clean paper for me to don’t have any artistic boundaries on the desk. I used to be simply recording music by music. On the finish of the tenth music that I’ve recorded, we have been like, “What can we wish to say right here? What ought to we eradicate? What ought to we embrace on the album? What do you wish to say?” And I used to be like, I believe it is a fluctuation of my emotions for the previous 4 or 5 years, and I believe I actually wish to let these emotions go. So I believe my album’s identify goes to be Alivio [Spanish for “relief”] as a result of I wish to really feel relieved. That’s when it naturally simply took place.
What are the parallels between the this album of letting go and your life in the meanwhile? Why did you’re feeling that this was the time for an album that’s saying that? Why proper now?
I needed to present good closure to the previous 4 or 5 years since I’ve been struggling [and] going through new challenges. I couldn’t ignore that a part of me. I advised myself, “You’ve by no means been this susceptible, Chung Ha. You’ve all the time been glowing. You’ve all the time been so glittery. You’ve all the time been so highly effective.” “I’m Prepared” [2024 b-side]. The idea is rather like I’m able to kill everybody on stage, however truly on the within of me, I’m very fragile and everyone seems to be in fact, in some unspecified time in the future — everybody goes by way of life.
All of us cry typically. All of us break down typically. I simply needed to share that a part of me, my present state of affairs.
Chung Ha New Album
Courtesy of MORE VISION
You wrote on 4 songs for the album. You will have contributed previously, however this does appear to be essentially the most you’ve ever creatively contributed in a single challenge. Are you feeling extra assured at this stage in your profession or is it simply the way it labored out?
I suppose for the songs that I haven’t tapped into, for the lyrics half, it was precisely what I needed to say. The opposite tracks, I used to be like, “I wish to twist this up a little bit [to make it] my story, as a result of I don’t assume I really feel one hundred percent it’s my message.” I simply naturally scribble scrabbled by way of the method. It naturally took place. I believe I simply had so many issues to say, so many issues to let go [of] and that’s why it ended up like this. However the different tracks that I haven’t [written on], they have been sufficient and much more tapped into what I wish to say. So I used to be like, I’m leaving this alone.
You appear to be credited as the principle lyricist on “Nonetheless A Rose,” which is a very attention-grabbing ending observe. Listening to you discuss in regards to the album, it does really feel such as you’re closing a chapter on one thing. It looks as if that’s precisely what you have been going for. Are you able to discuss a little bit extra about that?
Thanks for mentioning “[Still A] Rose.” That is one among my favourite tracks. Really, “Nonetheless A Rose” was the primary ever music that I initiated as Alivio. That music truly got here alongside when “Eenie Meenie” got here alongside, and I used to be actually tapped into it at the moment too. Since I used to be beginning a brand new factor with Extra Imaginative and prescient, I needed to do extra of a brand new introduction [or] model of myself and telling folks that I’m prepared for one thing. “Rose” was extra of a closure for me, a music that provides a very lovely goodbye. I didn’t select that music at the moment … the author for the music, he’s actually my bestie. I advised him, “OK, I’m going to make use of this music in my album, and that is going to be the primary music that I provoke, so please don’t [give it away]. I’m going to do the music.” The music lyrics themselves are very self empowering and [about] loving your self once more. Regardless that now we have thorns and we’re delicate, and other people simply reduce you out — all we do is simply develop out to be a rose once more, and we’re nonetheless lovely. We’re nonetheless flattering in our personal methods.
I believed this music could be closure or perhaps a good opening for my subsequent album. I didn’t know if it could be the primary observe or the final observe, however then after I recorded so many songs, I used to be like, “‘Nonetheless A Rose’ goes to be my final observe.” I believe I’ve so many emotions to share earlier than letting issues go.
It begins out with “Vivaldi: Spring.” It’s a very, actually, actually frequent ringtone [in Korea]. On the identical time, there’s a mix of R&B and that drum hits in. That’s additionally new for me as a result of I’ve by no means achieved a little bit classical combination with R&B.
One can think about your observe “Salty” — a collaboration [with Sunmi] — is particular to you, given that you just two are such good mates. What was that have like?
He wrote so many good songs for me. He gave it to me and he was like, “What do you concentrate on this observe?” And I used to be like, “That is lengthy, to be sincere, oppa [Korean word for older brother figure]. I imply, we don’t go this lengthy lately. We do two minute songs. We contact barely three minutes. That is like 4, man, that is lengthy.” However then I couldn’t see a slicing level the place I may edit it. One other feeling was, this appears like [ K-Pop artist] Sunmi’s observe greater than mine. It has that retro, nostalgic vibe. In the case of retro vibe, I consider Sunmi. I’ve all the time dreamed [of doing] a collaboration along with her. We all the time talked about it every time we meet up, and we simply couldn’t discover the correct observe to collaborate. We have been type of busy doing our personal issues and stuff like that. We have been busy, so we couldn’t discover a proper time.
Then, as I first heard “Salty” working by way of my ears, I used to be like, I hear Sunmi a lot. If she’s not going to be on the observe, I don’t assume I might be capable to launch this or do this out. Or, I don’t know, possibly I’m going to have some extra internal development to even faucet into “Salty,” as a result of [it] is a really susceptible [song]. It’s actually, actually susceptible and actually sincere. I needed somebody who was very confident and really sincere about her emotions and never scared to specific them by way of music. And that was Sunmi, from my perspective. I solely considered her, however on the identical time, I used to be very cautious.
I all the time needed to collaborate. I didn’t wish to bug her an excessive amount of. I knew that she had new albums popping out, in fact, this 12 months. I knew that she was so busy. I used to be actually cautious with my staff. She was routinely, like, “I’m hopping in.” I used to be screaming my head out. I’m like, “Oh my God, that is going to be so thrilling for my followers and for myself.” On the identical time, I didn’t actually understand how we’d sound collectively on the identical observe, however it’s so stunning. We’re so completely different, however we sound so effectively collectively. I needed to present her the opening [verse of the] observe as a result of it suits her way more. I even recorded myself on the opening half, the primary verse, however [when] I heard myself, I didn’t wish to launch that. Possibly I’ll launch it at my live performance if she might be there, however I don’t assume I might ever wish to share that as a result of it’s extra touching along with her vocals in it. I believe we sound actually nice collectively, and I’m hoping to do extra extra collaborations along with her. Once more, she’s the primary solo artist in my coronary heart.